Lana Evanova’s artwork is frequently showcased at prestigious international art fairs across the US, UK, Netherlands, Spain, Russia, Italy, and Germany, including:
In 2015, Lana Evanova captivated audiences at “Winter Muses,” an exclusive art exhibition held at the Marriott in London, where she unveiled a stunning collection of ten abstract works. This celebrated event brought together a diverse array of contemporary artists, and Evanova’s contribution stood out as a powerful testament to her creative ingenuity and distinctive artistic vision.
Evanova’s ten-piece series, specially curated for the exhibition, demonstrated her signature approach to abstraction—melding vibrant color palettes with intricate textures and bold, gestural movements. The works reflected themes of renewal, introspection, and the interplay between light and shadow, making them particularly resonant within the winter-themed context of the show.
The Marriott’s sophisticated venue provided an ideal backdrop for Evanova’s art, allowing the nuances of her compositions to shine in an intimate yet dynamic setting. Visitors were drawn to the emotional depth of her works, which invited both personal interpretation and collective admiration.
Critics and attendees praised the way Evanova’s abstract pieces balanced complexity with a sense of harmony, creating a dialogue between spontaneity and structure. Her participation in “Winter Muses” further solidified her reputation as an artist who pushes boundaries while remaining deeply attuned to universal human experiences.
Evanova’s appearance at the Marriott in London in 2015 remains a noteworthy moment in her career, highlighting her ability to create impactful art that transcends seasonal and cultural boundaries. The exhibition was a celebration of her talent, leaving an indelible mark on the art world and reaffirming her status as a leading figure in contemporary abstraction.
In May 2012, Lana Evanova’s personal exhibition “Patterns in Perspective” was showcased at the Lumière Brothers Center for Photography. The exhibition, held for two weeks in May 2012, featured a series of unique photographic and painted portraits of Russian media celebrities. The images captured these public figures from unexpected angles, revealing a fresh and unconventional perspective on familiar faces. Evanova’s use of dynamic composition and playful viewpoints highlighted patterns in human expression, challenging viewers to rethink traditional portraiture. The exhibition became a notable exploration of identity and perception through the lens of photography and painting.
Lana Evanova’s participation in art KARLSRUHE 2006 in Rheinstetten marked a significant chapter in her career, where she showcased ten captivating abstract works with the support of the esteemed Galerie Maulberger. Renowned for her innovative approach to contemporary abstraction, Evanova’s presentation stood out as a highlight of the prestigious art fair, which draws international acclaim for its focus on modern and contemporary art.
The selection of works exhibited by Evanova reflected her mastery of abstraction, characterized by dynamic compositions, layered textures, and a vivid interplay of color and form. Each piece embodied her signature ability to evoke profound emotion and introspection through non-representational imagery, inviting viewers to engage with her art on both an intellectual and visceral level.
Galerie Maulberger’s curation of Evanova’s work emphasized the diversity of her abstract language. The exhibited pieces explored themes of transformation, rhythm, and the subconscious, drawing inspiration from both natural phenomena and the intricacies of human experience. Her ability to balance spontaneity with meticulous structure left a lasting impression on collectors and critics alike.
In 2002, Lana Evanova presented her solo exhibition, “Inside The Beauty,” at the prestigious Annarumma Gallery in Napoli. Featuring twelve captivating abstract works, the exhibition showcased Evanova’s mastery of form and color, blending emotive depth with striking visual energy.
The works explored themes of identity and transformation, with Evanova’s layered textures and dynamic brushstrokes creating an immersive experience for viewers. The Annarumma Gallery provided an intimate setting that amplified the emotional resonance of her art, earning widespread praise from collectors and critics alike.
“Inside The Beauty” solidified Evanova’s place as a compelling voice in contemporary abstraction, marking a significant milestone in her artistic journey.
Lana Evanova’s participation in ArteFiera 2002 in Bologna marked a pivotal moment in her artistic career, showcasing her emerging talent to an international audience. Represented by the prestigious Galleria dell’Incisione, Evanova’s work captivated visitors with its striking fusion of contemporary abstraction and evocative storytelling.
ArteFiera, known as one of Europe’s leading modern and contemporary art fairs, provided the perfect platform for Evanova’s innovative vision. Her works, curated by Galleria dell’Incisione, demonstrated her ability to merge bold, dynamic forms with intricate textures, evoking themes of identity, transformation, and emotional resonance.
The pieces exhibited were lauded for their ability to balance complexity with accessibility, inviting viewers to explore layers of meaning within each composition. Evanova’s signature style—characterized by her use of vivid colors, layered brushstrokes, and abstract symbolism—resonated strongly with collectors and critics alike, earning her recognition as an artist to watch in the European art scene.
Through her collaboration with Galleria dell’Incisione, Evanova not only solidified her presence in the contemporary art world but also began to establish her reputation as a thought-provoking and boundary-pushing creator. Her participation in ArteFiera 2002 remains a significant milestone in her artistic journey, reflecting her early commitment to exploring the transformative power of art on an international stage.
In 2001, Lana Evanova’s solo exhibition, “Radiance of Faces,” in Medora Gallery, Canon City, US, showcased an impressive collection of 15 artworks, each demonstrating her distinct artistic vision. Ten of these pieces were dedicated to the majestic landscapes of Colorado, capturing the dramatic interplay of light across the region’s rugged terrain with vibrant colors and bold brushstrokes. The remaining works focused on expressive portraits, highlighting Evanova’s fascination with the human face. Each portrait was illuminated with radiant hues, emphasizing the emotional depth of her subjects and reflecting a blend of realism and abstraction.
The exhibition was celebrated for its ability to merge the natural beauty of Colorado’s landscapes with the complexity of human emotions, creating a compelling visual experience that resonated with visitors. Evanova’s use of light and color to convey both the serenity of nature and the intensity of human expression was a hallmark of this memorable exhibition.
In March 2001, Lana Evanova’s solo exhibition, “Garden of Gods,” was held at The Artists’ Gallery in Canon City, Colorado, for two weeks starting March 29. The exhibition showcased a total of 20 pieces, with half of the collection—10 artworks—dedicated to the stunning landscapes of the Garden of the Gods mountain location. These landscape paintings captured the ethereal beauty of Colorado’s iconic red rock formations bathed in shifting light, using Evanova’s signature vibrant color palette and dynamic brushwork.
Alongside the landscapes, the exhibition also featured portraits and other nature-inspired pieces, revealing Evanova’s fascination with the natural world and her talent for infusing her work with a sense of spiritual energy and movement. The collection’s bold colors and expressive style highlighted the rugged beauty of the region, offering visitors a vivid portrayal of Colorado’s landscapes as well as a glimpse into Evanova’s unique artistic perspective.